We had a dialogue with this year's Maison&Objet Rising Talent Award winner Marc Dibeh about his design approach and process.
We had a conversation with Maxim Velcovsky, Creative Director of Lasvit, after the Monsters show they designed in this year’s Milan Design Week.
We interviewed Snarkitecture on translating architecture into emotional experiences through interacting with other people which they call ‘simplifying’.
We interviewed Sigurd Larsen on translating architectural thinking into design by experimenting with forward-thinking making-techniques and materials.
Nominated by Giulio Cappellini, designer Antonio Facco is sharing his experience of Maison&Objet 2018 Rising Talent Awards and describing his design approach.
Nominated by Rosita Missoni, designer Marco Lavit Nicora is sharing his experience of Maison&Objet 2018 Rising Talent Awards and describing his artisanal approach.
We had a dialogue with this year's Maison&Objet Rising Talent Award winner Federico Peri. Peri talked about his works at the exhibition, his process of nomination and his sources of inspiration.
We had a dialogue with this year's Maison&Objet Rising Talent Award winner Federica Biasi about how she is influenced by handcraft.
We talked with Guglielmo Poletti at Maison&Objet 2018. He shared his experience of being supported by one of the masters of Italian design scene, Rossana Orlandi, as a part of Rising Talent Awards.
We talked with Giulio Capellini during this year's Maison&Objet Rising Talents programme. He shared his insights on shifting Capellini's direction to a global landscape.
Jan Boelen, curator of the 4th Istanbul Design Biennial, is explaining how "A School of Schools" aims to create an experimental ground.
The designer duo behind Tsatsas are sharing their way of designing influenced by architecture and shaped by artisanal approach.
Yusuke Seki is sharing how he is balancing respect for history with the use of a contemporary design language.
Christian Haas shares his opinion on merging contemporary production techniques with good craftsmanship in order to generate a creative sprit.
Sophie Dries talks about making collaborative buildings and objects in the challenging creative scene of Paris.
As a newly graduate from Design Academy Eindhoven, Guglielmo Poletti shares his experiences on exhibitions, design process and the industry.
The insights into materials are accidental, and occur within unexpected context of everyday life.
Intangible frames of architecture
In the creative sector, we could be role models for communication and sharing.
Hyperreal iterations of everyday objects
I think it’s useless to re-produce the reality. We already know how we can re-make the reality. I try follow another path.
The constant gymnastic of scale
The subject is no longer a statement in the product but more emotional relation with the potential buyer. This is the design of communication.
Ever-changing ways of making films and animations in a phygital world.
I like to use real world objects, made of materials that we know how they feel, how they touch.
Attitude of improving what already exists in the nature
We are not interested in polluting the world with our design.
Re-framing the bubbles
Even though this sounds like a cliche, to me, home is people rather than spaces. I feel more at home when I’m challenged - by people, new places and experiences.
@LAYER / A Design Entrepreneur
If you can't think in business terms, understand what opportunities are beyond and above, it's difficult to give yourself a context.
A Designer's Free Zone: Direct contact with people.
I want to keep it small like a craftsman because I need to be involved in the development of the project. Otherwise, I get frustrated.
An architect in between Paris and Tel Aviv
In between Istanbul and London
Umut is an architect, telling his stories through kinetic sculptures. This year at Milan Design Week, we met at moooi's 2016 collection preview where Umut's Perch Light was on the show.